The SoapBoxers

The writing frenzy continues.  If you are participating in the National Novel Writing Month, we have entered the second week.  You should be at about 13,000 words.  I have fallen pretty far behind having just crested 6,000 words.  The goal is to write as much as possible, getting to the 50,000 word count by the end of November is the challenge.

If you did start writing on November first, you should be well into your story.  Even if you do not have a full outline, try to capture at least some interesting event.  If events are eluding you, try some descriptive paragraphs.  Describe one of you characters, what he wears, what her physical characteristics are, what his dream are, what she is feeling.  Short on characters?  Describe the location, the surroundings, from weather to decorations, anything to put some body behind the story.

My current effort is a science fiction story.  I just have chunks of stuff.  I have done some character development for a few of my characters.  I have described the space ship in petty good detail.  I have even done some premonition work, describing what their goal is.  I still do not have a complete outline.  I have a couple of climaxes sketched out, but no conclusion.

As I commented last week, it is hard to set aside time to write.  My Saturday was taken up helping a friend reroof his garage.  Weeknights are taken up with helping my kids with homework, housework and paying attention to my wife.  I am pretty excited about writing at the 50% rate that I have accomplished.  I hope that some of our readers are doing better.

If you are just writing down any ideas you have, you can get a lot written.  I can capture between 500 and 800 words an hour.  That is words that make any sense at all.  So two hours a night should be all I need to put aside.  My problem is that I want to concentrate on this one story, and I just can not seem to get two hours to write.  Tonight (Sunday) I have a chance.  I am writing this article first, then back to writing the novel.  I would love to be able to report that I have completed the challenge again when we get to November 30^th, but again, my goal is to write and encourage you to write.

It is almost November, and we all know what that means, National Novel Writing Month. I guess you thought I was going to writes something about the election. I figure with all of the writers on this site (except Johnny and Bob, thank you both so much) having voiced their political opinions over the last few weeks, enough had been said already. I want to focus on writing.

I started this column last year as I embarked on my first attempt at writing a complete novel. The fine people at NaNoWriMo.org help me with a challenge and various on line support activities. There are also local gatherings at coffee shops to put real faces and bodies on the messages. I was successful last year for many reasons, none more important than that I was on a significant amount of travel, two weeks at a time away from my family. When I try this year, I will have the challenges of every day life impacting my ability to perform.

The goal of National Novel Writing Month is not actually to write a compete novel, although that may be a happy outcome. The goal is to write down 5000 words that are conceivably part of a larger story or novel. The challenge is to achieve this goal in a single month, November 1 through November 30. No fair grabbing an old story that you already had several thousand word complete on. The reward is writing, and if you succeed, some nice icon gifts for your book, your facebook page and a certificate to always remember your achievement.

As with last year, I plan on tracking my progress here at TheSoapBoxers.com. I will encourage all of our readers to write, and maybe even share some of their effort. Unlike last year, I will focus on what I am doing to write, not a blow by blow of the story line.

So the question is, will you “elect” to join me on this adventure? You do not have to write, but I always encourage people to do so. You can just ride the journey with me and anyone else who is willing to share in the odyssey.

A few months ago, I pledged to embark on a different journey. I was going to set up my computer on a treadmill table so that I could walk my way across this great land of ours as I wrote this column or watched television. Although I did set up the table for a short while, my progress was so slow that I never had enough success to write about it. The treadmill and table took up so much room in out family room that my wife asked me to move it to the basement. Out of sight, out of mind, and the experiment came to an end. This writing pledge will not suffer the same fate. I may succeed or I may fail, but I will undertake the effort for the full month.

When I made the cross country treadmill pledge, I had several helpful exchanges with Evan about ways of adding physical activity to our otherwise stationary work lives. As a result of those discussions, I will be investing in an under desk peddle systems. I will cycle my way through the day as I sit at my desk, reading, writing, phoning, texting and doing all the things we do at work that cause the day to pass with little or no physical motion.

So, go to NaNoWriMo.org tonight and join up and in seven days let your ideas flow. Catch them all, sting them together and who knows what you will end up with.

One of the most important aspects of any story is character development.  There’s a reason why you see may writers develop an entire series for a character – because people come to identify with characters and want to see what comes next.

The trick is to build characters that people can identify with and care about.  How can you do this?

Use the first person perspective

There are two major perspectives to use in fiction writing – first and third person (in theory, you could write in second person, but this is rare outside of the “choose-your-adventure” sort of novels).

Writing in the first person perspective lets the reader see the world through the eyes of the main character.  Since the reader is going to be force fed just the one perspective,they’ll tend to identify with the character and be sympathetic to the character’s struggle.  The reader will see the character’s biased view as reality.

The downside to the first person perspective is that the reader will be privy only to details that the main character knows about.  When you write in the third person, you can have the narrator be omniscient and know everything that is going on.

Writing in the first person can also be difficult if you have more of an ensemble cast.  Whose viewpoint do you use in this case?

Some successful writers use first person, while others do quite well with third person.  Play around with it and see what suits you.  I typically write in the third person (probably to subconsciously distance myself from the nasty nature of some of my characters), but I’ll be experimenting with the first person in my Halloween story (coming on October 29).

The quest

Many stories feature the main character on a noble quest. I tend to read a lot of mysteries, so my characters are often trying to bring bad guys to justice. I can easily see how the character is doing important work – catching a serial killer benefits society. The quests aren’t always quite so cut-and-dried, but a protagonist is usually engaged in some sort of meaningful work. It’s unlikely that a character who repeatedly tilts at windmills is going to garner a huge number of fans – unless he happens to be Don Quixote.

“Everyman” attributes

Let’s say your main character is tall, rich, handsome, enjoys opera, and has no personal problems at all – living the perfect life.  How can I identify with this character – we have nothing in common!  (Well, maybe the handsome part …)  Developing some traits that the character shares with “real” people will help make the character seem more real.  This can be something as mundane as a distrust of politicians or  a dislike of pet owners who refuse to clean up after their animals (I absolutely hate the people who let their dog poop on my lawn and then don’t clean it up – they give all pet owners a bad name).

Warts and all

If you find yourself developing characters who are absolutely perfect, this is a problem.  People are not perfect, and the most believable characters have some flaws.  Lawrence Block’s Bernie Rhodenbarr is a thief, while his Matt Scudder characters battles with an alcohol addiction as well as a slightly nonstandard concept of justice.  Jeffery Deaver’s Lincoln Rhyme (brought to the silver screen in the motion picture The Bone Collector) has a body that is flawed, and can be a bit of a jerk at time.  In the long run, all of these characters are good guys, but in the short run, they can do some bad things.

The best characters aren’t necessarily ones that you could hang out with 24/7.  The most believable characters are people who could get on your nerves from time to time.

It’s Friday, a day which usually brings a new Fiction Friday story from Kosmo.  However, I’ve decreed that I will not write any stories this month (although I am accepting guest submissions at kosmo@ObservingCasually.com).  I was having to dip the bucket a bit lower into the well of creativity each week and had run into some symptoms of temporary burnout.  Time for a break to recharge the batteries.  Better to go a month without new stories than to lose the desire forever.

So, then, what do I (and other writers) do when I’m not writing?

Break the Rules

Two days into the month, I was technically in violation of my self-imposed exile when I wrote a satire about a shocking new smartphone app.  However, I’ll rationalize this by saying that I don’t consider satires and parodies to be true fiction stories, since they tend to be “based on a true story.”

Read

One thing that makes a writer better – and gives the writer new ideas – is reading the work of good writers.  I love reading, and am a fast reader, but a shortage of time meant that I was really having trouble finishing  books lately.  When Jeffery Deaver’s new Lincoln Rhyme book, The Burning Wire, landed in my mailbox, I knew that I had to do something!  You may know Rhyme as Denzel Washington’s character in the movie The Bone Collector.  I love mysteries and forensics, and was happy to see that Rhyme is a recurring character!

Research

A big reason for taking the break from short fiction is that I am in the early stages of adapting The Cell Window into a novel.  In the short story, I winged it a bit, making up some things out of whole cloth (how many of them did you catch?).  However, I’m going to make a more concerted effort toward accuracy of details in the novel.  I personally hate it when I read a book and can pick up glaring errors that point to a lack of research.  I’m definitely going to engage consultants in the areas of technology and law enforcement, and may learn a few things about the psychological makeup of voyeurs.  I’ve become quite attached to this story and have a lot of pride in the work.

Steal Use Other People’s Ideas

While The Cell Window didn’t rise to the level of national bestseller, it did receive a very positive response at the local level.  I’m going back to some people who gave me very positive feedback to see what they would like to see in the novel version.  I won’t guarantee that I’ll use any of their ideas, but I’m happy to listen.

If you want to look at this in a different way, I’m engaging unpaid consultants to help me with the creative process.

Outline

While many of the plot elements of The Cell Window are going to carry forward from the short story to the novel, transforming a work from a 10,000 word story to a 100,000 word novel necessitates a lot of new content – both in terms of the plot and new characters that need to be developed.  I’m going to let these develop within a lengthy brainstorm (likely a couple of weeks in duration), but will eventually hammer out a high level outline to aid the actual writing process.

Watch Baseball

Hey, it’s the playoffs!  My favorite thing to watch on TV is a Rockies game … but my second favorite thing to watch is ANY baseball game.  I’m trying to actually be in front of the TV for some game action, but when I’m not, I’m making and effort to listen to the games.  All work and no play makes Kosmo a dull boy.

What’s going on in Kosmo’s world?

First of all, the Rockies are very nearly eliminated from the NL West race, trailing the Giants by 4.5 games with 7 games remaining on the schedule (the Giants have just 6 games left).  The Giants have 88 wins, the Padres 87, and the Rockies 83.  With the Giants and Padres finishing the season playing each other in a 3 game series, it’s a mathematial certainty that one of them will reach 89 wins – meaning the Rockies need to to 6-1 to even have a shot – and that’s based on the Padres and Giants both getting swept in their next series.  The situation in the wild card race is similarly bleak.  I’ve ever-optimistic, but not holding my breath.  The Rockies have fought a lot of injuries to get where they are, but it looks like they might fall a bit short.

Giants pitcher Tim Lincecum lost a lot of respect in my eyes when he accused the Rockies (under his breath) of using juiced balls.  Division rivals have suggested that the Rockies have somehow managed to get non-humidored balls to the umpire when they are trailing – just in time to have the Rockies hitters crush them during a comeback.  Of course, the fact that Lincecum was supposedly able to detect such a ball actually strengthens my assertion that the Rockies are not using juiced balls.  In the past, pitchers have said that the humidored balls are “slick” (even though they are stored at a humidity level that is essentially what you would see in most of the country).  If that’s the case, then pitchers would be able to detect the difference if the Rockies tried to pull a fast one.  After all, if Lincecum could detect one, why couldn’t Roy Halladay or Kyle Lohse (or Jamie Moyer, who hasdealt with everything during his 50 year career)?  Are the non-humidored balls dryer to the touch than a “slick” humidored ball, or is it impossible to detect the difference?  You can’t have your cake and eat it, too – pick one answer and stick with it.

Why are the Rockies so good at home?  Well, first of all, there are a number of teams that are downright dominant at home – not just the Rockies.  Secondly, you’re looking at a team that is constructed to help the pitchers.  The pitch staff leans heavily toward groundball pitchers, the middle infielders are good defensive players, and you have two true centerfielders (Dexter Fowler and Carlos Gonzalez) patrolling the massive outfield territory (to prevent doubles from falling in).  The net effect is that you should expect Coors to appear much more neutral to Rockies pitchers (and opposing hitters) than to opposing pitchers (and Rockies hitters) – since the opposing teams aren’t necessarily configured this way.  So, why doesn’t this help the Rockies pitcher even more on the road?  It’s just not as noticeable on the road because keeping balls on the ground and tracking them down in the outfield is something that prevents 7 run innings – which aren’t commonplace outside of Coors.

I’m going to take a break from fiction short stories in the month of September.  I need to recharge my creativity a bit for another project.  I’ll definitely be writing new stories in October (and it’s quite possible that I won’t be able to finish out the month of fiction exile).  During September, I’ll make it Open Mike night for fiction writers.  If you want to have a short fiction piece featured, let me know at kosmo@observingcasually.com

Finally, I have made the decision to turn The Cell Window into a novel – and if Hollywood agrees, perhaps even into a feature film 🙂  In general, I don’t mess with a story once I have declared it to be a finished product.  However, over the past several months, quite a few people have suggested lengthening the story, so I’m going to give it a shot.  Those of you who have purchased the short version might end up with a collector’s item if the book is well received.  Haven’t bought a copy yet?  You can get the PDF version, MP3 audio book, or combo edition.  I’d recommend the combo edition, since it is the same price as the plain PDF version.

When I discuss the differences between short stories and novels, the stark contract in setting scenes tends to come front and center.  I have launched Tip of The Iceberg and Other Stories, and have also sent in my submission to the Iowa Short Story Award.  I’ll continue to write short stories every friday, but a major focus in the next 3-6 months will be renewing focus on my novel, Casting Stones.

I’ll definitely need to alter my mindset and spend more time focusing on the details of a scene.  Today’s article is really more for my benefit than for yours.  The scene I am delving into could be covered in a single sentence in a short story – Kirsten spent the afternoon reading Moby Dick and ate a turkey sandwich for dinner. I’m going to take this one sentence and expand it into several hundred words that will allow you to gain greater insights into the characters and the scene.  Honestly, it’s not a very action-packed scene – and therein lies the challenge.

Warning: nothing of any importance happens in this scene – it is merely a writing exercise.

Kirsten

The daily assault of the sun’s gentle rays had long ago caused the curtains to fade from virgin white to a yellowed tint.  It was late afternoon, and the rays peeked through the window once again and flooded the living room in a gentle glow.

Kirsten sat down the glass of iced tea and took a seat in the antique rocking chair.  As it squeaked in response to the rocking, she opened the cover of a dog-eared copy of Moby Dick.  She stopped for a moment to ponder the first line – “Call me Ishmael.”  She found this to be an interesting name.  She had never actually known anyone named Ishmael.  She remembered Ismael Valdez with the Dodgers and remembered that her dad had mentioned Rocket Ismail returning kicks for Notre Dame.  But never an Ishmael.

Kirsten pushed her glasses back up on her nose and delved deeper into the protagonist of Melville’s classic.  A few of her friends were school teachers, and many of them held summer jobs – working retail, carpentry, and on farms.  Kirsten couldn’t imagine any of them spending time on a whaling ship.  Ishmael certainly had an adventurous spirit.

Kirsten was fully engrossed in the adventures of adventures of Ishmael, Ahab, and Queequeg when she suddenly realized that the room had grown dark.  It had been several hours since she had begun reading, and her stomach began to cry out in agony.  She rose from the rocking chair, slipped on her shoes and began her pursuit of dinner.

Kirsten’s scarlet stilettos drummed out a melodic series of clicks as she strode purposefully across the hardwood floor. When she arrived at the mahogany table in the dining room, she flipped the switch on the ancient lamp. The compact fluorescent bulb fluttered for a short moment before realizing its full potential and bathing the room in light.

Kirsten reached above her head and opened the cupboard door.  One of the screws from the hinge fell to the counter top with a clatter.  Kirsten sighed.  She loved the old house, including the beautiful glass-front cupboards, but it seemed that one thing or another was constantly in need of maintenance.  She grabbed a screw driver from the junk drawer, slid the foot stool into place, and fastened the screw.  She opened and closed the door several times, assuring herself that the screw was tightly in place.

Kirsten took a dinner plate from the lower shelf and had to step on her tip toes to grab a glass from the top shelf.  She wondered why she hadn’t gotten one down while she had been on the step stool.  Some of the features of this house were certainly not built for someone as petite as Kirsten.

To her great delight, she discovered that the breadbox still held a single croissant.  She thanked her lucky stars that she wouldn’t have to settle for the bland alternative of whole wheat bread.

When Kirsten ducked her head inside the refrigerator, she was disappointed to see that Sam had eaten the last of the ham.  She stuck out her tongue and resigned herself to turkey.  She was happy to see that Sam had at least left a single slice of Swiss cheese behind.  She inhaled the aroma of the cheese.  Kirsten could be frugal with many of her purchases, but not with cheese.  The difference in flavor between a high grade of Swiss cheese and a bargain basement substitute was incalculable.

Kirsten grabbed the carton of milk from the bottom shelf and filled the glass nearly to the brim.  She replaced the carton, closed the refrigerator door, and carried the plate and glass to the table.

She took a long drink of the milk before taking a big bite from the sandwich.  The house was quiet, except for the faraway sounds of crickets chirping and the occasional creak as the house continued the century long process of settling onto the foundation.  Kirsten missed Sam when he was traveling on business, but she didn’t miss the ever-present blare of the television set that plague the house when he was around.

I’ve been juggling a few balls lately – so what is the status?

I am happy to announce that Tip of the Iceberg and other Stories is complete!  The 99 page PDF will contain copies of every of my fiction stories this year, as well as a 5500+ word story Tip of the Iceberg.  Tip of the Iceberg will only appear in this PDF.  The only bad news is that this is one of the rare occasions when we will be charging for content.  However, our most loyal customers will receive a price break.

How long did it take to write Tip of the Iceberg?  About six months, I guess.  I started kicking around ideas for the anchor story for the 4th volume of my fiction around the time volume 3 hit the shelves.  I generated and abandoned quite a few ideas along the way.  While I’m confident that I settled on the right story for this volume, it’s conceivable that some of the other ideas will become the capstone stories in future volumes or that scaled down stories will find their way onto the blog.

I also finished the audio version of Tip of the Iceberg.  This is the audio for just the one story – not the entire collection.  The audio runs about 30 minutes and features Kosmo as the reader.

I will be selling this collection in three different ways:

• The PDF of Tip of the Iceberg and other Stories
• The MP3 audio version of Tip of the Iceberg
  
• A combo version that contains the PDF and the audio, at a reduced price

The official launch date will be on August 12.  As always, I’ll provide a few hundred words as teaser in order to lure you in and fork over a few of your hard earned bucks.  I expect the pricing to be about 15 cents per story.  So I’m trying not to nickel and dime you too much.  Oh, wait – 15 cents is a nickel and a dime.  So I guess I AM trying to nickel and dime you.

I’ve also been working on Mountains, Meadows, and Chasms, my entry for the Iowa Short Fiction Award.  The mountains, meadows, and chasms are not literal but rather metaphors for life – the good times, the bad times, and the everyday experiences.  Entries for the contest must be 150 pages, and I had no trouble collecting enough of my work to hit that page count.  After removing some stories that I wasn’t particularly proud of, the page count stands at 236.  This could fluctuate slightly, but at this point, I’m pretty much set on those stories being included.

During the next few months, I plan to scale down to six articles a week in The Soap Boxers.  This should allow me to focus a bit more attention on my novel, but unfortunately has been languishing lately.  I’d love to get more written in the novel, but I simply haven’t had time in recent months.  Hopefully skipping an article every week will free up at least a bit of time.

I was originally brought aboard The Soap Boxers to write articles about writing.  Over the months, my ramblings have been all over the map; politics, science, sports and relationships to name a few.  I have also touched on writing.  To get back to what I was drafted to do, this article is about what to do once you have written your book.

Last year I participated in the National Novel Writing Month (NaNoWriMo.org).  This is a world wide competition to write a novel during the 30 days of November.  The only rules are to get 50,000 words written down as part of a novel within the 30 days.  The rewards are recognition.  I completed the 50,000 words in November, but then spent December and January making the work into a ‘real’ and ‘complete’ novel.  So I had written a book, what do I do now?

The first step after completing your work is to get the book edited.  I have spent the last 5 months revising and update my book.  I have now learned that you really need a professional, non-partisan editor.  I have had 5 people look at the book and now realize that it was 4 people too many.  I chose people close to me to review and edit.  This was not a good idea.  They were either too nice, so as not to hurt my feelings, or tried to rewrite the book to what they wanted.  When being edited you need a tough skin.  You have put a lot of work into this book, it is almost like someone is criticizing your child.  Well I am done with editing, so what is next?

I am lucky in that I know someone who has actually published a book.  You do not have to have a publisher to get your book to market.  If you really want to sell your work, you should look at the major publishers.  If they like your work, they have the advertising and distributing mechanisms in place to sell.  To get published by one of these companies, you have to provide a summary and a chapter (don’t send them your whole book right off the bat, they will not read it).  If you get selected based on that input, they will request the full manuscript.  After that review, they will decide whether of not to offer to publish.  Even then, don’t get too excited.  They will go through an editing process, set up and market plan, all taking many months, before they ever offer you any money.  And remember, if they publish and take on the risk, they own the work along with you.

You can also self publish.  This just means you are doing all of the work.  You have to get an ISBN. You have to get a Library of Congress number.  You have to find the printing and binding house.  You have to market your work, going to book sellers like Barnes & Noble and trying to convince them to sell for you.  This can takes months or even years, and you have to pay up front, so you may never make a profit.

You can also simply distribute your work.  This means no official numbering, so no wide scale professional distribution.  You will be selling on line or on the street corner.  All book stores require an ISBN, even on line book stores.

Now, I do not expect to make a profit any time soon, so I am taking care of the up front costs for identification, but plan on starting sales on line to limit my out of pocket costs.  The identification helps provide copy right protection world wide and provides assurance to my customers that they are getting what they paid for.  The ISBN is specific to a type of publication, so I will have different numbers for the paper back, hard back, large print and electronic versions.  The official site for United States ISBN is www.isbn.org.  The official United States ISBN agency is R. R. Bowker (www.myidentifiers.com).  They charge $125US for a basic kit, and $185US for on line sales assistance.  You can get a package of from other sources such as www.isbn-us.com for $55US for self publishing (listed as independent in the book catalogue), or $129US if you want to have a publishing name (create your own publishing company).

Obtaining a Library of Congress number is only necessary if you are publishing in the United States and intend on distribution through libraries in the United States.  You have to have a publisher (even if you are your own publisher, so create your own publishing company) to get an account.  Once you have an account you can get a pre-assigned number (PCN) that will eventually become the control number(LCCN).  These numbers are controlled by the Library of Congress (http://pcn.loc.gov/). You have to provide a copy of the work for free to the Library of Congress (you will not get this copy back, consider it a gift to the United States government). The good news is that a PCN/LCCN is free.

All of these numbers have specific formats and must be placed on the Copy Right page (generally the back of the cover).  The ISBN also comes with a bar code (for selling/scanning) that you put on the back cover of the book.

Copy right is a completely different beast than ISBN or LCCN in that it is in effect even if you do not apply for it.  By law, your work is copy right as soon as you right it down and date it.  Registering at the copy right office (www.copyright.gov) is only required for legal contests.  It is recommended that you register your copy right as soon as you are ready to publish to make sure no one else sells your work (such as an unscrupulous editor or publisher).  The cost today is $35US for an electronic registration.  You can also have paper registrations, but those take longer and cost more.  I do not see any benefit to these paper applications, unless it is required, such as the design of a new ship hull (not something that should be coming from an author).

So, what do I do next?  I will be spending just about $165US to get ready to publish.  To actually get a book in print will be a bit more.  My novel is 224 pages.  There are plenty of self publishing houses available.  For this example (I still haven’t made my final choice) I am using Morris Publishing (www.morrispublishing.com).  They were the first listing on my search engine.  Based on a 5.5 x 8.5 print and 224 pages, it will cost $5.36US each for a 100 copy buy.  The price per book goes down with more purchased ($1.86US each if I buy 5000).  Of course selling an electronic copy here will be no additional cost.

So my first publication will cost me roughly $700.  Not too bad when considering the cost of other hobbies.  And I do mean hobby.  If you are writing as a profession, get a publisher.  Share the risk, let them sell for you, and get a check periodically.  That is of course if anyone wants to pay to read your work.

Yesterday’s story, In Defense of Art, features a main character who defends her artwork from a critical colleague.  Today, I’ll break down the creative process involved in writing the story.  Spoiler alert: I’m going to talk about the entire story, including the ending.  So if you haven’t read the story, you might want to read it first.

As is often the case, the end of the story came to my first.  In the end, the heroine’s revolver twice lands on empty chambers before finally hitting a live one, allowing her to kill the antagonist.  Why the first two failures?  To build suspense, of course – and to allow the attacker to show himself as even more of a jerk.

After composing the final scene mentally, I ran into a block that lasted for a few days.  What could be important enough to force the main character to respond with deadly force?  An attempted sexual assault was a possibility, but I’ve been thinking an awful lot about The Cell Window lately, and just didn’t want to go in that direction again.  (Don’t have a copy of The Cell Window yet?  You can buy the audio book or print version – which contains many other stories – at the Hyrax Publications Store.)

I considered having the main character be a zoo keeper who stumbled across someone killing ducks by throwing rocks at them (which, unfortunately, happened in this area a few years ago), but I didn’t think it was very realistic that a zoo keeper would be packing heat.  Eventually, I settled on the main character being an artist who operates her own gallery.

I immediately began painting the painter in a positive light.  I softened her image by having her paintings be peaceful nature scenes, and gave her pink bunny slippers to wear.  The antagonist, on the other side, was an impressionist, and his fashion accessory was a maul.  I could have made this a sledge hammer (there’s not a great deal of difference between the two), but maul is a compact word, and also has a second meaning.  As a verb, maul means “to injure by a rough beating, shoving, or the like” according to dictionary.com.  This makes the weapon sounds more foreboding.

Now that I had the main plot of the story figured out, I needed to pick names for the characters.  Quite often, I’ll use the names of friends, especially for positive characters.  I have a new co-worker named Kailey, and she slid into the role of the artist.  The last name of Bell was picked because I like bells – they make nice noises.  A positive word for a positive character.

But what about the name of the antagonist.  Where did I come up with Sylvester?  Well, I have Warner Brothers to thank.  Yes, he is named after Sylvester the Cat, the perpetual tormenter of Tweety Bird.  Barnes is simply the twisted version of a public figure’s name.

For the last year, I have been spending a fair amount of time writing fiction.  Every Friday, with very few exceptions, there has been a brand new short story.  There have been occasional bonus stories on other days, and even holiday specials like Friends for Thanksgiving.

Most of these stories are less than a thousand words.  Every few months, I have had the goal of writing a 10,000 word longer story to be included in the short story collections that I sell in the Hyrax Publications store.

The longer stories have a dual purpose.  First of all, they provide exclusive content for the purchasers of the short story collections.  Purchasing the eBooks is the only way you can obtain these stories.  The main goal, however, is to get me into the habit of stretching my ideas into longer stories in preparation for my novel.

Several months ago, I began work on a novel focusing on the exploits of a serial killer.  I sketched out a synopsis of the story, and quickly got 6000 words written.  At that point, life got much busier.  Unfortunately, I haven’t written a single word in the novel in months.  In fact, I have struggled even to write the 10,000 word stories.

I expect to be able to begin making progress on the novel again, as the kids settle into a more predictable bedtime routine.  However, at age 35, I seem to be getting a bit of a late start.  What if I never finish my novel?

Throughout most of my entire writing career (dating back to elementary school), I have considered the novel to be the highest art form.  All other forms of writing – shorter fiction, poetry, and non-fiction –  were of considerably less interest to me.  In the words of John, Paul, George, and Ringo, I wanted to be a paperback writer.

I still do want to finish my novel.  However, over the course of the last year, my opinion of short stories has changed considerably.  When I began writing short stories, the main goal was to refine my writing style and experiment with various techniques – all in an effort to improve the writing in my eventual novel.

At some point along the way, the stories stopped being stepping stones toward a future goal and became writings that I was proud of.  Is it possible that I’ll never become a novelist, and will instead spend my time churning out hundreds of short stories?    The one downside is financial – as mentioned in my guide to short story writing, publishers don’t pay very much for the stories.  However, there’s a certain feeling of accomplishment in writing an interesting, yet compact story.  At times, I can hammer out a short story in 20 minutes (which, given my typing speed, is very near the theoretical minimum time).  Others have taken an hour or more.  Interestingly, there’s not a strong correlation between the time taken the write the story and the quality of the story.  Some of the more popular stories have been written during an episode of The Office.